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The wonderfully wry and droll films of Finnish director Aki Kaurismäki are being celebrated with a 14-city North American tour organized by BAM Cinématek, Brooklyn. With new prints struck for the tour, this selected retrospective gives a rare chance to view the wide range of this accomplished and celebrated director. Kaurismäki transformed his passion for film into a profession, first as a critic and later writing screenplays for his brother Mika. Following training at the Munich Film School, he codirected a rock-and-roll documentary with Mika and finished his first solo film, an adaptation of Dostoyevsky's Crime and Punishment. His next film, Calamari Union, established his signature style with deadpan humor, irony, and outrageous situations with a twist of frosty existentialism. While the dark irony, simplicity, and amazingly eclectic scores of Kaurismäki's films are reminiscent of work by American Jim Jarmusch, a more apt comparison might be with German director Rainer Werner Fassbinder. Both were inspired by the melodramas of the 1950s and classic gangster films. Both worked with a small troupe of actors and crew and dealt with working-class subjects. Kaurismäki's characters are marked by their humanistic trials. They struggle for survival and love with quiet resignation and a drink to dull the pain.
ALL PHOTOS COURTESY THE FINISH FILM FOUNDATION |
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