Edited with text by Victoria Sung. Text by Pio Abad, Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Xiaoyu Weng.
Head of Content & Communications: Asli Altay
Design Director: Mark Owens
Designer: STUDIO LHOOQ, My Linh Trieu Nguyen,Daniel Cohen, Nik Ivanov
Editor: Laura Silver
Publications Manager: Jake Yuzna
Design Studio Manager: Kate Arford
Indexer: Enid L. Zafran
Proofreader: Dianne Woo
Image Specialist: Colour & Books
Printed by MUSUMECI S.p.A a socio unico, Italy
Typefaces: Eklektyk, Jost, Janson Max Neue, Arial Narrow, Arial Black
Paper: Munken Polar Rough
This volume surveys three decades of Pacita Abad’s multifaceted practice. Published on the occasion of her first-ever retrospective, it includes new research and writing by Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Victoria Sung and Xiaoyu Weng, an edited oral history about the artist’s life and work by Pio Abad and Victoria Sung, and never-before-seen artworks and archival materials
Over the course of her career, Abad made an exuberant, wide-ranging body of work that was ahead of its time in promoting a transcultural worldview. Moving between the Philippines, Indonesia, Singapore and the US—while also spending extended periods in dozens of countries on six continents—she interacted with the many artist communities she encountered on her travels. Drawing on her knowledge of global fiber traditions, Abad innovated a hybrid art form that she called “trapunto” painting (from the Italian word trapungere, “to embroider”). Made by stitching and stuffing her painted canvases as opposed to stretching them over a wood frame, the resulting works’ portability speaks to her peripatetic existence, while their association with textiles evokes female, non-Western forms of labor that have historically been marginalized as craft.