The final film of the five-part cycle ranks as the most mesmerizing and elaborately designed. It is set in New York’s 1930s gangster milieu against a background comprised of the Chrysler Building’s art-deco interiors, the Saratoga racetrack, the spiraling architecture of the Guggenheim Museum, and monumental landscapes such as the mythological Giant’s Causeway in Northern Ireland. With Cremaster 3, Barney again combines his outspoken fascination for architecture and his preoccupation with the body, dance, and horror. Look for sculptor Richard Serra, who plays the antagonist. 2002, U.S., color, 35mm, 182 minutes.