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Of Language and Longing: The Films of Marguerite Duras

Marguerite Duras, called “preposterous, self-obsessed, eloquent, unstoppable” (New York Times Review of Books), was one of the most widely read French writers of the postwar era. She authored 34 novels from 1943–1993, including her autobiographical L’Amant (The Lover), winner of France’s distinguished literary Prix Goncourt. She also penned the celebrated film Hiroshima, Mon Amour. Disliking others’ adaptations of her work, in the 1960s she began to direct—16 films in all. Her work is characterized by its self-reflexive nature; she often moved one story, or elements of a story, through genres: novel, film, play—even film to film. In her obituary, the New York Times lauded “her simple, terse writing style, as if language itself were merely a vehicle for conveying passion and desire, pain and despair.” These films by and about Duras were selected by Walker artist-in-residence Haegue Yang.

Except where noted, all films are directed by Marguerite Duras, screened in the Cinema, and $8 ($6 Walker members).