A growing number of artists are abandoning truth-telling political art for a boldly utopian practice, recognizing that political problems can’t be solved by an atrophied collective imagination. With examples ranging from Thomas More’s 16th-century tome Utopia to the Yes Men’s recent “special edition” of the New York Times, Stephen Duncombe explores the creative terrain within this new world of dreampolitik. Duncombe is an associate professor with the Gallatin School at New York University.
Utopia Is No Place
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