Gómez, a filmmaker focusing on Afro-Cuban cultural and gender issues, tackles the marginalized in a love story that is part documentary and part fiction. Lovers Yolanda and Mario clash over their
divergent socioeconomic backgrounds in Miraflores, a development built in 1962 for shantytown inhabitants outside of Havana. 1977, 16mm, in Spanish with English subtitles, 78 minutes.
Introduced by August Nimtz, Jr., Department of Political Science, University of Minnesota