Called “an abundant, magnificent work” (Financial Times) and “utterly transfixing” (Huffington Post), Christian Marclay’s The Clock unfolds on the screen in real time as a 24-hour montage sampling thousands of excerpts from the history of film that indicate the passage of time.

Don’t miss a rare opportunity to view sections of the work that take place in the late-night, overnight, and early morning hours as The Clock runs through its complete cycle.

Planning Your Visit to The Clock

• Entry to The Clock is on a first-come, first-served basis. Wait times may apply.

• Once inside the gallery, visitors may remain for as long as they wish. The installation has couches and standing room. Capacity limited to 100.

• Visitors who leave the hall must rejoin the line in order to be readmitted.

• Cameras of any sort (still, movie, video), cell phones, and all other electronic devices may not be used and must be switched off before visitors enter the gallery.

• No food or beverages are allowed.
• There are brief periods of nudity and strong language during The Clock. Visitors bringing children should use their discretion.
• The exhibition is wheelchair accessible.
• Personal items such as backpacks, umbrellas, or any other bulky items must be checked.