Called “an abundant, magnificent work” (Financial Times) and “utterly transfixing” (Huffington Post), Christian Marclay’s The Clock unfolds on the screen in real time as a 24-hour montage sampling thousands of excerpts from the history of film that indicate the passage of time.
Don’t miss a rare opportunity to view sections of the work that take place in the late-night, overnight, and early morning hours as The Clock runs through its complete cycle.
Planning Your Visit to The Clock
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Entry to The Clock is on a first-come, first-served basis. Wait times may apply.
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Once inside the gallery, visitors may remain for as long as they wish. The installation has couches and standing room. Capacity limited to 100.
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Visitors who leave the hall must rejoin the line in order to be readmitted.
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Cameras of any sort (still, movie, video), cell phones, and all other electronic devices may not be used and must be switched off before visitors enter the gallery.
- No food or beverages are allowed.
- There are brief periods of nudity and strong language during The Clock. Visitors bringing children should use their discretion.
- The exhibition is wheelchair accessible.
- Personal items such as backpacks, umbrellas, or any other bulky items must be checked.
