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The Paradox of Stillness: Art, Object, and Performance

Two women wearing nude jumpsuits sitting on a tapestry that hangs from the wall onto the floor. The tapestry is a black and white image of several women gathered around a gravestone with a sculpture of Karl Marx head on top.
Goshka Macuga, Death of Marxism, Women of All Lands Unite, 2013. Courtesy the artist and Andrew Kreps Gallery, New York.
 
  • The Paradox of Stillness: Art, Object, and Performance is organized by the Walker Art Center. Major support is provided by the Andy Warhol Foundation for the Visual Arts.

     

     

    Additional support is provided by the Edward R. Bazinet Charitable Foundation, Ellen and Jan Breyer, Carlo Bronzini Vender, James Cahn and Jeremiah Collatz, Steve and Kathy Kloves, the David and Leni Moore Family Foundation, Donna and Jim Pohlad, Seda North America, and Susan and Rob White.

    Anne Imhof’s Sex (2019) is supported by the Goethe-Institut. Presentations of works by Vanessa Beecroft, Pier Paolo Calzolari, Lara Favaretto, and Pietro Roccasalva are supported by Q-INTERNATIONAL, Fondazione La Quadriennale di Roma.