Carolyn Harper has gone missing. Taking this young girl’s death as the starting point (with nods here to Agnès Varda’s Vagabond and David Lynch’s Twin Peaks), Jennifer Reeder’s mystical and surreal Midwestern teen noir follows this tragedy as it ripples through a small town. Through myriad points of connection to Carolyn—via family, neighbors, friends, and classmates—Knives and Skin tracks the town’s experiences of coping with their individual and collective trauma. 2019, digital, 112 min.
Students watch for free on Fridays!
This summer series is guest-curated with filmmaker Jennifer Reeder. In addition to the screenings of her films—Knives and Skin, A Million Miles Away, Blood Below the Skin, and Crystal Lake—, the artist presents three formative teen features from the 1980s and ’90s: Kids, Fast Times at Ridgemont High, and Little Darlings.
About the Artist
Jennifer Reeder constructs personal fiction films about relationships, trauma, and coping. Her innovative, award-winning narratives borrow from a range of forms, including after-school specials, amateur music videos, and magical realism. Reeder’s films have screened in festivals worldwide, including Sundance, Berlin, London, Tribeca, Rotterdam, SXSW, the Venice Biennale, and the Whitney Biennial.
Accessibility
For more information about accessibility, or to request additional accommodations, call 612-375-7564 or email access@walkerart.org.
For more information about accessibility at the Walker, visit our Access page.
Before Your Visit
Paid underground parking is available on-site. Enter the ramp on Vineland Place at Bryant Avenue. Biking or taking Metro Transit? Learn more.
Visiting the galleries? Enhance your experience by joining a public tour or with self-guided resources accessible for free on Bloomberg Connects.
Personal photography is permitted throughout the Walker and the Minneapolis Sculpture Garden, but please turn off the flash when visiting the galleries.
To help us promote future events and programs, this event may be photographed or recorded. By attending, you consent to appear in this documentation and its future use by the museum. Please let staff know upon arrival if you prefer not to be photographed.
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