“Potent commentary on indigenous heritage, autonomy and experiences … gripping, dynamic and thunderous … ” —JazzTimes
For Mali Obomsawin (Odanak First Nation), the language of free jazz and the language of Wabanaki are variations on a shared theme. Together with her sextet, the composer/bassist weaves the prosody of one into the syntax of the other. Stories emerge: atonal winds wail over woozy bass lines; voices crescendo over beating hand drums. Melding Wabanaki songs with religious hymns and jazz traditions with Québécois folk music, Obomsawin chronicles the complex histories that have come to shape Abenaki life today.
This is night two of a two-night engagement with Obomsawin. Learn more about her live performance of the Sugarcane score on April 16.
Copresented with Icehouse
Accessibility
For more information about accessibility, visit our Access page.
For questions on accessibility or to request additional accommodations, call 612-375-7564 or email access@walkerart.org.
Before Your Visit
Paid underground parking is available on-site. Enter the ramp on Vineland Place at Bryant Avenue. Biking or taking Metro Transit? Learn more.
Visiting the galleries? Enhance your experience by joining a public tour or with self-guided resources accessible for free on Bloomberg Connects.
Personal photography is permitted throughout the Walker and the Minneapolis Sculpture Garden, but please turn off the flash when visiting the galleries.
To help us promote future events and programs, this event may be photographed or recorded. By attending, you consent to appear in this documentation and its future use by the museum. Please let staff know upon arrival if you prefer not to be photographed.
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