I believe that Man’s first real figurative experience is the recognition of his own image in the mirror: the fiction which comes closest to reality. But it is not long before the reflection begins to send back the same unknowns, the same questions, the same problems, as reality itself: unknowns and questions which Man is driven to re-propose in the form of pictures…. The figurative object born of this action allows me to pursue my inquiry within the picture as within life, given that the two entities are figuratively connected. I do indeed find myself inside the picture, beyond the wall which is perforated (though not, of course, in a material sense) by the mirror. On the contrary, since I cannot enter it physically, if I am to inquire into the structure of art, I must make the picture move outwards into reality, creating the “fiction” of being myself “beyond the looking glass.” Michelangelo Pistoletto, 1964
Michelangelo Pistoletto
1933–Present
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Plants As a DecorationMichelangelo Pistoletto2014
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Donna in bianco con cappello in mano (Woman in white with hat)Michelangelo Pistoletto1976
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Cento mostre nel mese di ottobre 1976Michelangelo Pistoletto1976
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Michelangelo Pistoletto : Mathildenhöhe Darmstadt, 27. 4. bis 26. 5. 1974Michelangelo Pistoletto1974
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Le Ultime Parole FamoseMichelangelo Pistoletto1967
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Uomo Alla Balconata (Man on a Balcony)Michelangelo Pistoletto1965
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Quadro da pranzo (Oggetti in meno) (Lunch painting [Minus objects])Michelangelo Pistoletto1965
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Seated WomanMichelangelo Pistoletto1963
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Tre ragazze alla balconata (Three Girls on a Balcony)Michelangelo Pistoletto1962–1964