Resonance: A Sound Art Marathon
The Walker has been producing, presenting, and commissioning sound art performances and installations for more than 50 years, encouraging artists working between visual and performing arts to experiment with new modes of expression. Celebrating interdisciplinary experimentation, Resonance: A Sound Art Marathon (May 18, 2019) was inspired by the Walker’s 1980 New Music America festival and the trajectory of jazz experimentation at the museum over the decades.
Layering and interweaving the visual (instruments, sculpture) and the aural (sonic landscapes, jazz, found sound), the 10-hour marathon featured an international group of artists—Tarek Atoui, Heather Barringer, Philip Blackburn, Jules Gimbrone, Walter Kitundu, Haroon Mirza, Mankwe Ndosi, Camille Norment, Matana Roberts, Christine Sun Kim, Craig Taborn, and Preston Wright—who played in auditory and visual accord with the audience, while exploring the resonances between visual art and sound performance. Though the event was to be held outdoors in the Minneapolis Sculpture Garden’s Cowles Pavilion, projects were relocated and presented in the Walker’s McGuire Theater and Cargill Lounge due to adverse weather conditions. The immersive, experimental performances and structures of Resonance: A Sound Art Marathon created a world all their own, one bound by time and space, built and destroyed in just one day.
Projects
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Philip Blackburn with Heather Barringer and Preston Wright
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Walter Kitundu with Mankwe Ndosi
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Jules Gimbrone
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Matana Roberts
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Christine Sun Kim
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Haroon Mirza and Tarek Atoui
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Craig Taborn and Camille Norment
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Tarek Atoui
Learn More
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Understanding the Wavelength: A Guide to Resonance
“You don’t need a roadmap for Resonance: you will want to get lost.” In anticipation of the May 18 Resonance sound art marathon, a guide to the ten multidisciplinary artists and the ideas they’ll be exploring at the intersections of sound, sight, and touch.
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Waxing Walker: Resonance in Review
“In the final minutes of Resonance, we heard voices and song, dance beats and celebration. Our last sounds were from some distant cultural performance I could not place,” writes Andrew Fenchel of the Walker’s May 18 sound art marathon. The daylong celebration of interdisciplinary experimentation offered performances that blurred the division between the visual and performing arts by putting sound—field recordings, found sound, jazz, electronics—in dialogue with video, everyday objects, sculptural instruments, and light.
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Touching a Third Sound:
Trans-Sensing in a World of DeepfakesIn this world of cheap visual proliferation, we’re forced to make quick binary judgments—i.e. real/fake, good/bad, man/woman—which often leave us feeling disempowered and reduced to slotting. In the 13th installment of the Artist Op-Eds series, composer and visual artist Jules Gimbrone proposes what they term Trans-Sensing as a model for a more nuanced way of experiencing the world, one that transcends the quantitative binary of real/fake and doesn’t rely on the categorical flattening of complexity that comes with merely seeing.