Through short interactive narratives, this ongoing series presents behind-the-scenes tours of your favorite outdoor sculptures.
Living Collections Catalogues offer media-rich essays on broader themes as well as in-depth investigations of specific works of art.
Inviting various voices from both inside and outside of traditional design practices, You Can Judge a Book by Its Cover offers new perspectives on too-often overlooked aspects of book covers.
Ben Davis, Sabaah Folayan, RaMell Ross, and Eric Schlosser consider "truth" in light of Werner Herzog's Trump-era update to the 1999 Minnesota Declaration on truth and fact in documentary cinema.
Explore the Walker Dialogues and Film Retrospectives archive some of the most innovative and influential filmmakers of our time.
Through a single interface, an array of voices are invited to respond to pressing questions that surround the work of making, presenting, understanding, and living with art today.
Offering perspectives from those closest to the art, this recurring video series gives voice-of-the-artist perspectives on work on view.
A series of commissioned opinion pieces featuring provocative reactions to the headlines by Ron Athey, Gordon Hall, Natascha Sadr Haghighian, Postcommodity, Ana Tijoux, Jack Whitten, and others.
Exploring the ways in which designers create, critique, and question possible futures, big and small.
“If the music was changing, why wasn’t the format of the jazz magazine shifting around?” Straight from the mind of polymath musician/artist Jason Moran comes a new kind of music publication.
UNLICENSED investigates contemporary culture’s obsession with bootlegging by turning to designers and artists who exploit this phenomenon in their practices.
A program of commissioned moving image works by artists—including James Marwa Arsanios, Yto Barrada, Renée Green, and Pauline Boudry/Renate Lorenz—who respond to work in the Ruben/Bentson Collection.
An editorial supplement to the conference Superscript: Arts Journalism and Criticism in a Digital Age, featuring commissioned essays by Kimberly Drew, Alexandra Lange, An Xiao Mina, and others.
An ongoing series of essays, translations, interviews, and excerpts examining the past, present, and future of art education, presented by the Walker Education and Public Programs staff.
A memoir series by the late Walker director Martin Friedman, recounting his encounters with artists including Joseph Cornell, Marcel Duchamp, and John Cage.
In serial form, a 10-part curatorial essay from the 2014 exhibition 9 Artists, which featured Yael Bartana, Liam Gillick, Hito Steyerl, Danh Vo, and others.
On September 28 and 29, 2015 the Walker Art Center hosted an invitational curatorial research convening focused on pressing areas of inquiry facing the field of curating contemporary performance.
Avant Museology is a two-day symposium exploring the practices and sociopolitical implications of contemporary museology.
Experimental Jetset, Lucky Dragons, Tomás Saraceno, and others share how 1960s artists featured in the exhibition Hippie Modernism have influenced their work and thinking today.
In interviews with Laurie Anderson, Paul Chan, Trevor Paglen, JoAnn Verburg, and others, this series examines artists' approaches to small-p politics—issues of power, inequality, and participation.
We check in with some of our favorite publication designers, including Eric Wrenn, Paul Chan, Sandra Kassenaar, and Adam Michaels.
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)