To commemorate the year that was, we invited an array of artists, writers, designers, and curators—from graphic designer Na Kim to filmmaker Tala Hadid, artist Adam Pendleton to the Black Futures project—to share a list of the most noteworthy ideas, events, and objects they encountered in 2015. See the entire series 2015: The Year According to.
Michael Oswell is a British–born designer based in the Schengen Zone. He is interested in operating in unconventional contexts, regarding design as a kind of terraforming; mediating between fact, fiction and rumour. He has made songs about graphic designers. Teaching, exhibitions, accolades, etc. More words. Client list. Call today.
Firstly an apologetic preface: this is less a catalogue rarefied selections from a tastemaker at the top of their game so much as a collection of personal synaptic touch-points that marked 2015 as a difficult, disturbing, joyful year. The first months were spent freaking out over mysterious health problems that culminated in an emergency cholecystectomy. Two weeks later, a tentative move to Berlin—a thoroughly revitalising experience later dulled by the theft of my backpack containing items that consitute ‘home’ to a nomad. My laptop, my phone(s), my passport. A second psychological scare, resolved through a rich tapestry of friendship, colleagues, collaboration.
As such, a number of the following selections didn’t materialise this year; they just happened through circumstance to play a role in it. I didn’t read as much this year as I should have; I went to fewer art openings and film screenings; and my experience of new music came from frequenting (admittedly rather good) techno clubs. I have been a Bad Graphicdesigner: I have failed in my task to actively take in the world and infuse it into my life’s work. I’ve used culture this year as a comforting eiderdown, my filter bubble is in full effect. With apologies, here are my things of 2015.
In the Hall on the evening of January 1st, I heard the distinctive 110bpm clicking; the continually descending, guitar-like riff signalling that 2014 was in the process of being sucked down and remodelled. The clicking continued onto the train back, onto my bike through the streets in the rain, into waiting rooms of varying medical specificity.
Extrastatecraft, by Keller Easterling
Two confessions. Firstly, this book was published in late 2014, and secondly, I designed its jacket (art directed as always by Verso’s Andy Pressman). One of the dictates of book cover design is that you should always read the book before you design the cover – a dictate established by someone with no concept of contemporary publishing production timelines. I didn’t have a chance to read the book until this year, so in it goes.
Ashkan Sepahvand is a writer who amongst other things runs the Technosexual reading circle here in Berlin; in its extended and informal incarnations it’s resulted in some stimulating conversations of varying degrees of coherence about contemporary selfhood, collectivity, sex, technology and the future of the species. Everything I Know About Technocapitalism…, a performative lecture, falls under the umbrella of Mountgrove – the sprawling, delirious science-fictional imaginary of a well-known techno club, home to the intermorphs and other demiurgic concepts. It was first performed at the ICA in May; I managed to see a later performance at Spektrum in Berlin. Delirious, super ambivalent, and ultimately accurate. Our happiness is a horizon, and a platform.
Sans Soleil, by Chris Marker
Commanding attention in exchange for network kudos doesn’t feel like a sustainable form of life. The mainline kick of getting retweeted has dulled. Public discourse got soured by layer upon layer of second-guessing and assumption of bad faith. This year, the backchannels were more rich, more vital. But I don’t want to Quit Social Media To Focus On Real Life. I want to lurk—as Jaakko says, deleting twitter is just the “having a buzzworthy twitter.”
Untitled (Buffalo), by David Wojnarowicz
At some point in the summer, I made Untitled (Buffalo) the wallpaper for both my computer and my phone. It must surely have something to say about 2015. The image came back to me after seeing it used on YouTube as the background for a Delia Derbyshire radio composition, in which different voices recall dreams of falling. The combination did a certain something to the image, which is so rooted in a certain epoch of AIDS activism. All these different ways for buffalo to fall.
A single notch-filtered FM chord, breathing, in, out, in, out; a jittering high-pass-filtered stab of noise for a hihat; a round, enveloping kick – this track, which came out in 1996, unfurled itself at approximately 3:30am on October 12, in the process becoming a new affective cipher I’ve yet to fully dekode.
Probably not a Dyson swarm. But not definitively not-A-Dyson-Swarm until definitively proven not to not be not-a-Dyson-swarm.
The bare possessions of a non-person living in a non-place.
A night with friends.
An on-and-off relationship.
A temporary job.
A trove of secrets.
We have a non-plan.
All we do is show that we still exist.
A delicious neapolitan ice-cream of a book.
David Cameron Fucked A Dead Pig
The British media’s reaction to Jeremy Corbyn showed what a deeply fucked up establishment it really is, but its treatment of this delicious pink faberge egg of a story really sealed the deal. I had the great pleasure of reading defences of Cameron that amounted to the underclasses are simply jealous that they don’t get to FUCK DEAD PIGS and who *hasn’t* fucked a dead pig in their youth?. Hilarious but irrelevant. None of us will ever look at Dave the same way ever again. He will forever be David Cameron, Who Fucked A Dead Pig. This whole affair was an oasis of pure and unblemished joy, a real highlight.
12. Saying “No” to Nomadism (#NeauxMoNomadisme)
13. The Continued Evolution of ASMR Videos (#Rule34b)
14. Hay guise its meh (#NeverGiveUpOnYourDreams___________LikeEvenIfYouReallyWantToJustDzohnt)
15. Goodbye, by Bottoms
16. Enya Revival (#LetTheOrinicoFlow)
17. Progress Bar (#WhatWouldOstgutDo)
18. Pierre Bernard
19. ISIS Dildo Flag (#SexToysAsLanguage)
20. London’s continued decline and war on nightlife
21. Bono’s on-stage tribute to Paris (#NousSommesTousParis)
23. 9/11 Building 7, by Martin Noakes (#OpenFireCantMeltSteelItsNotHotEnough)
24. Unedited Footage of a Bear
25. The concept of Yanis Varoufakis
26. Trance (#ItWillAlwaysBeWithYou)