A graphic designer and creative director living in Istanbul, Asli Altay is the founder of Future Anecdotes Istanbul, a design collective that pursues the role of design as editorial input and integral collaboration. The studio has been working closely with artists, architects, curators, publishers and cultural institutions, in search of design as a structural link between content and context. She also founded and ran Apendiks, a temporary bookshop, from her studio, which provided in-depth showcases for independent publishers.
Here as part of 2016: The Year According to, our annual series of artist-generated top-1o lists, she shares her perspective on the most noteworthy moments, experiences, events, and ideas from the year that was.
Kirklareli, a small city at the Northwest corner of Turkey, is where my father is from. We went there for a weekend this year and found out that there is only one museum in town. And it is called MUZE, the museum. It is “the museum”— biology, archaeology, and ethnography all rolled into one in a small two story house of roughly 120 square meters. Stuffed animals in panoramic displays, folkloric mise-en-scenes, and relics from antiquity sit side by side, packed into the Noah’s Ark or the time capsule that museums are believed to be. At the entrance, there is a framed sign that reads: “What is a Museum?”—an overarching question that we’ve been dealing with, perhaps the most, throughout this year.
“What is a Museum for?”
This question has been keeping us busy since we started collaborating with the Van Abbemuseum in Eindhoven, initially for an exhibition titled Who Owns The Street?, following up with a reorganization of their collection display. It has been a process of unlearning, reimagining, Skyping, dining, strolling, and testing out the very idea of the museum.
The Menu, Chios
An unexpected encounter: a restaurant in Chios, by the sea. Good food, bad wine, but then again we should have gone for ouzo. Twelve individual menus written and illustrated by the 9-year-old niece of the owner of the place. Amazing piece of design work.
Emoji Silent Film Tournament
Held in numerous WhatsApp groups with various friends, this was the game of the year. A primer in hieroglyphics.
Back courtyards of Kurtulus
We finally made the move to a new neighborhood in Istanbul, we now have real neighbors. Every time I go out to the balcony, it’s the same bliss. The courtyard is her yard. It starts with one woman coming out to put up her freshly washed linen, then another woman from a different balcony starts chatting her up. The rest is a tilt effect inter-balcony conversation, that goes on for hours. My soundtrack for the rest of the day.
Bibliotheraphy of the year has manifested itself in semi-conscious choice of island themed books. Two highlights: Foe by J.M. Coetzee, woven around the existing story of Robinson Crusoe, but this time the story is told by a woman. Second highlight: Satin Island Tom McCarthy. We never come close to knowing the truth.
Friends leaving Istanbul
The post-truth has its toll on our daily life. Everybody is in search of islands, one way or another.
Palindrome of the year
are we not drawn onward to new era?
We’ve worked on this sporadic publication years ago as one of our first collaborations with Can, imagining that it will continue for years to come. Creating its own ways, its temporary communities and audiences, issues continue to multiply and accumulate. Following a quiet period after an anthology was published, this year was a good year for Ahali. Installed in new forms and with new selections in Bolzano (ar/ge kunst), London (tenderpixel), and the Glasgow School of Art, Ahali keeps on.
We’ve spent the half of our summer in Stockholm thanks to the invitation by the Iaspis residency program. The physical studio space ended up extending the rooms of my mental space. Pleasures of working, everyday life, and getting ready for the change. Celebrating possibilities, adaptation, and celebrating hanging out… 2016 was a milestone.