Hi Res with the House Lights Up
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Visual Arts

Hi Res with the House Lights Up

L: Sunglasses from Antic Meet (1958). R: Detail of the 4-armed, no-neck Antic Meet sweater that Merce knit himself.

As the Cunningham Collection continues to be catalogued, here are more close-ups of the aquisition items.   This week’s images focus on Antic Meet (1958), a piece that the Merce Cunningham Dance Company will present as part of their Farewell Legacy Tour at the Walker’s McGuire Theater this November 4/5/6.  Robert Rauschenberg costumed the piece with both his own designs and loot gathered from the New York second hand stores of the day.   When Merce was creating a dance, he rarely discussed backstory and structure with Rauschenberg.  But in a rare 1958 letter to Bob, he writes of Antic Meet, “I hope it’s dazzling rather than willy-nilly… it’s like a series of vaudeville scenes which overlap…This all comes from Dostoevsky.” (from Changes: Notes on Choreography, by Merce Cunningham, 1968)

If you could turn a costume inside out, crawl underneath a set piece, press your nose up against a Rauschenberg backdrop, this is what you might see…

L: Detail from Merce's Antic Meet (1958) chair. R: Merce Cunningham in Antic Meet (1958). Photo by Richard Rutledge.

 

L: The under carriage of Merce's Antic Meet chair. R: Merce's initials, sewn by Rauschenberg into Antic Meet's corduroy cape.

 

R: MCDC in Antic Meet (1958). Photo by Matthew Wysocki. Note Merce in the background, wearing the notorious sweater. L: The 4-armed, no-neck sweater that Merce knit himself.

 

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