Often seen as cold, distant, and mass-produced, Pop art’s intimate strains were in evidence around the world, from Marta Minujín and Rubén Santantonín’s installation in Buenos Aires that invited audiences to witness a man and a woman in their bedtime environment to Niki de Saint Phalle, who says her art would “show everything: my heart, my pain, love, laughter, tenderness.” The final chapter in our International Pop mini-documentary traces Pop’s thread as a deeply personal pursuit.
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