Never represented through photographs or video, Tino Sehgal’s works live on in memory and through stories. Hear Simon Glendinning recount his experience of taking part in Sehgal’s This objective of that object (2004), which he interpreted as part of Tino Sehgal at the Institute of Contemporary Arts, London in 2005.
This video is part of a series of selected collection entries have been expanded in the Walker Collections: Art & Artists website as part of the Walker’s Interdisciplinary Initiative (2016–2020). Each selected entry serves as an interdisciplinary case study and includes new essays and interpretive texts as well as the addition of materials from the Walker Archives.
Get Walker Reader in your inbox. Sign up to receive first word about our original videos, commissioned essays, curatorial perspectives, and artist interviews.