Since relaunching last December as a hub for sharing original ideas about art and contemporary culture, the Walker homepage has published more than 100 original pieces, from articles and interviews to slideshows and visual essays. Here’s the work that our readers responded to most over the last 12 months.
1. Buoyant Boulders: The addition of four, shining steel-clad boulders to the Walker hillside has brought us a new icon, and the announcement of the acquisition of Jim Hodges’ Untitled (2011) presaged later looks at the installation and thinking behind the mammoth works. Dubbed “buoyant monoliths” by executive director Olga Viso, the works were purchased in advance of a 2014 retrospective of Hodges’ work, organized by the Walker and the Dallas Museum of Art.
2. More Real than Real: From a gigantic church-basement folding table and chair set to a tiny replica of a bee, works in the Walker-organized exhibition Lifelike entranced visitors with art that questions the nature of “the real.” Julie Caniglia’s keystone essay captured readers as well, traversing both through art history and through the exhibition, from Ron Mueck’s crouching boy to Ai Weiwei’s sunflower seeds, Jonathan Seligman’s gigantic sculptural homage to a carton of Vitamin D milk to a tiny (functioning) elevator by Maurizio Cattelan.
3. Haring in the House: Created a few months after the debut of Apple’s first Macintosh, Keith Haring’s mural of a computer-headed creature now seems prescient. This account of the residency that brought the famed NYC graffiti artist to the Walker 28 years ago includes a quick video of Haring at work, plus a Walker staffer remembering how Haring “drew a radiant baby in the schmutz on the back of my hatchback.”
4. Hot Couture: Costuming was one of many challenges faced by Obie-winning Out There 24 artist Young Jean Lee when creating the text-free–and ultimately clothing-free–work Untitled Feminist Show. “Nudity was the only way for us to de-objectify the performers,” she says in this interview. “No matter what we had them wear—say, if we had them wearing really frumpy clothes—that could be hot, too. We had them wearing these astronaut uniforms, and that was hot. Everything we put them in was hot, and I wanted them to be people and not these hot women.”
5. Fill-in-the-Blank: A graphic designer, guerrilla artist, and urban planner, Candy Chang has spearheaded interactive fill-in-the-blank projects from the Before I Die wall (installed on a vacant building in post-Katrina New Orleans) to her latest, Neighborland (in which residents can share their dreams for their neighborhoods, online and in the streets). How she answered for us one of her signature questions: “Before I die I want to hole up and read books in soulful hotels.”
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