“A modernising, transformative force in Mauritanian music.” —The Guardian
Minneapolis, January 19, 2016— One of the next generation’s most promising African artists, Noura Mint Seymali makes timeless songs from the Sahara sound utterly contemporary when she blends her entrancing voice with a cosmopolitan mix of funk bass, drums, and psych guitar played by Jeich Ould Chighaly (her husband and fellow griot). Spiced with flavors of flamenco, reggae, and blues, her beguiling sound resonates with the rhythms and tonalities of the desert, “creating a mesmerizing tension between ancient and futuristic” (Chicago Reader). Noura Mint Seymali performs at the Cedar on Friday, February 19, 8 pm. Gospel Machine opens the show.
Noura Mint Seymali is a nationally beloved star and one of Mauritania’s foremost musical emissaries. Born into a prominent line of Moorish griot, Noura began her career at age 13 as a supporting vocalist with her step-mother, the legendary Dimi Mint Abba. Trained in instrumental technique by her grandmother, Mounina, Noura mastered the ardine, a 9-string harp reserved only for women. Seymali Ould Ahmed Vall, Noura’s father and namesake, sparked her compositional instincts, himself a seminal scholar figure in Mauritanian music; studying Arab classical music in Iraq, devising the first system for Moorish melodic notation, adapting the national anthem, and composing many works popularized by his wife, Dimi. Reared in this transitive culture where sounds from across the Sahara, the Magreb, and West Africa coalesce, Noura Mint Seymali currently drives the legacy forward as one of Mauritania’s most adventurous young artists.
Fueled by the exploratory sound of her husband Jeiche Ould Chighaly’s emotive psych guitar lines, Noura and Jeiche formed their first “fusion” band in 2004. Jeiche, a master of the tidinit (aka. ngoni, xalam), brings the force of yet another important line of Moorish griot to bear, translating the tidinit’s intricate phrasing to a modified electric guitar with heroic effect. His unique sound, mirroring vocal lines and then refracting their melodies into the either, was born out of years presiding over wedding ceremonies, directing the dance often as the sole melodic instrument. In addition to his work with Noura, Jeiche remains one of Nouakchott’s most sought after guitarists for traditional ceremonies.
After two albums, Tarabe (2006) & El Howl (2010), released locally in Mauritania and years of experimentation adapting Moorish music to various pop formations, Noura Mint Seymali’s current band is a concise return to the roots, a light formation led by the “azawan,” a word in Hassaniya that refers to the collective ensemble of traditional instruments; the ardine, tidinit, guitar. Backed by a declarative, funk-speaking rhythm section, composed of Ousmane Touré (bass) and Matthew Tinari (drums), the band has made a formidable debut on the international stage, releasing two Eps, Azawan (2012) & Azawan II (2013), and touring widely. The band’s first full-length album for the international market, Tzenni, was released by Gliiterbeat Records in 2014.
Though performances at events like globalFEST (USA), Festival-au-Desert (Mali), Hayy Festival (Egypt), Jeux de Francophonie (France) and Festival Timitar (Morocco) and collaborations with artists like Tinariwen, Bassekou Kouyaté, and Baaba Maal, the band is actively exposing Mauritanian roots music to the world. In a rare merger of cultural authority and experimental prowess, Noura Mint Seymali applies the ancient musical traditions of the griot with a savvy aesthetic engagement in our contemporary moment, emerging as a powerful voice at nexus of a changing Africa.
Artist website: Noura Mint Seymali
Gospel Machine
Gospel Machine is garage gospel band out of Northeast Minneapolis resurrecting the soul and R&B styles of the 1960’s. The band features Jayanthi Kyle (Romantica, Black Audience) on vocals and members of Twin Cities rock band The Small Cities – Wes Burdine (guitar, backing vox), Jimmy Osterholt (bass), Scott Munson (keys), and David Osborn (drums).
Gospel Machine formed in 2011 when Burdine wrote a soul/gospel liturgy for a Lutheran church in Northeast Minneapolis called Mercy Seat Lutheran Church. He asked Kyle and his bandmates from The Small Cities to back him for the occasion. They had such a good time that Wes started writing more material in the vein of his heroes Nina Simone, Otis Redding, and Sam Cooke. In 2012, they took their music to the clubs and in 2013 started recording their debut record, Your Holy Ghost, which was released in winter 2015.
Tickets:
Tickets to Noura Mint Seymali are $25 ($22) and are available at walkerart.org/tickets or by calling 612.375.7600
About the Cedar
The Cedar Cultural Center is a highly eclectic music venue located in the Cedar-Riverside neighborhood of Minneapolis. Over its 27-year history, the Cedar has become one of the premiere US venues for world music by fulfilling its (501c3 nonprofit) mission of promoting intercultural appreciation and understanding though the presentation of global music and dance. Learn more at http://www.thecedar.org/
Walker Art Center Performing Arts Program History
A catalyst for the creative expression of artists and the active engagement of audiences, the Walker Art Center examines the questions that shape and inspire us as individuals, cultures, and communities. Established in 1927 as the Walker Art Gallery, in 1940 it adopted a new name and focused on modern and contemporary art exhibitions as well as screenings, performances and public programs. Today the Walker is one of the top-five most visited modern and contemporary art centers in the U.S. Multidisciplinary in focus, it is equally committed to advancing artistic innovation and interdisciplinary scholarship as it is with increasing access to lifelong learning in the arts. Led by Senior Curator Philip Bither since 1997, the Walker’s Performing Arts program under his tenure has been defined by its commitment to the increasingly blurred lines between artistic disciplines, including contemporary dance, new music-theatre, performance art, experimental theatre, avant-jazz, contemporary classical music, new global sounds and alternative rock and pop. In addition to animating its outstanding McGuire Theater, the Walker has also greatly expanded its placement of dance into gallery settings, in its sculpture garden, and beyond, to further encourage a conversation between forms. It has also continued it long-standing tradition of mounting work together with presenters, venues, community-based collaborators, and unique sites across the Twin Cities. Through its endeavors, the Walker has earned an international reputation as “one of America’s foremost experimental art spaces” (UK’s The Guardian).