Born in Bessemer, Alabama, Jack Whitten (1939–2018) is a New York–based artist who for more than five decades has explored the possibilities of paint, the role of the artist, and the allure of material essence in his innovative studio process. After moving to New York in the early 1960s to attend Cooper Union, Whitten had a solo exhibition at the Whitney Museum of American Art (1974) and a retrospective at the Studio Museum in Harlem (1983). Long involved in the civil rights movement, Whitten created “memorial paintings”—several of which were featured in the exhibition Jack Whitten: Five Decades of Painting (on view at the Walker Art Center September 2015 through January 2016)—which pay homage to cultural events and figures ranging from Ralph Ellison and Martin Luther King, Jr. to the Sandy Hook Elementary massacre of 2012 and the terrorist attacks of September 11, 2001.
Jack Whitten
A Circle of Blood
Paris. Beirut. Charleston. What is art’s role in the face of heinous violence? Jack Whitten links his experiences growing up as “a product of American apartheid” to the deaths of so many, including Eric Garner, Aylan Kurdi, and Darren Goforth.
Jack Whitten on Mapping the Soul
“As an abstract painter, I work with things that I cannot see. Google has mapped the whole earth. We have maps of Mars. We do not have a map of the soul, and that intrigues me.” To commemorate Whitten’s passing on January 20, 2018 at age 78, we revisit his reflection on Soul Map (2015), a large-scale acrylic collage that offers a poignant cartography of the invisible.